Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his arms muscular beneath a plain tee. On stage, dancers can seem like mighty gods, yet often in person they are small. Not so Ball, whose height is one reason for his popularity for princely roles and partnering. Possessing fine features and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Top
At 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his early passion in ballet. Joining the Royal Ballet School at 11, he graduated directly into the troupe and was advanced each year, reaching the highest position of principal in 2018. He has relished tackling substantial dramatic roles, particularly the emotional angst found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
His upcoming featured appearance is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a dancer's art. He will walk the crowd through a role, demonstrating his cognitive process during performance. Yet in more comedic works, the test is significant. "A classic ballet is one of the toughest from a skill perspective," he notes.
The Psychological Game and Post-Performance Feelings
How does he feel following a show, when he has succeeded? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed afterwards. Following Mayerling I'm always like: God, what must people think?"
In person, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Is there? "I am very active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."
Formative Drivers and Creative Inspirations
His determination stemmed from early experiences. Not excelling in contests at school made him "vengeful!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.
An upcoming challenge is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, compositions, and art.
Close-Up Performance and Private Dynamic
He also is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They aren’t usually paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite cheerleader."
On Social Media and Bodily Image
On Instagram, fans can see clips from his dance films and images that highlight a athletic form. Does he care that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I am conscious of how reality is a separate reality to the dreams you made as a young person," he muses. He probably has about ten years of performing left. "I guess in the time to come, I want to be a bit more kind with myself."